inflection was
to tongue every
force in his life
to target notes
finely extended
that wander off
linear relief

power of the
immediately
first bridge
play so fast
sheets escaped

weighty as in
flight only
are short and
fast phrases his
changes until, by
modal, via
the solo Coltrane
harmonic

so the blues
turn the mood
which they
with their
vast lonely
with volley
incantations
in its place
times so fast
that metry & against
the three
the four
at all to the
solo moves
a forest of
no other
with such
with his
multirhythms the only
multiphonics
cycle is stormy
erruption

no lyric
symmetry,
best in
retreats -
abounds
in powerful
reexamined
downbeat
boundaries
resulting in
passages

one note filled is
calm in the blues

the first
at last
ego finds
mazes of passage
at riffing rests
sound are rests
& harmonic
& squall.